I
went to see this movie on Wednesday to escape the smell of paint fumes (our
basement had just been painted top to bottom) and the gray, dreary, weather was
a perfect excuse to escape reality for a couple hours. It was just me and one
other lady,* so we pretty much had a private showing. I only wish I was
sociable enough to approach her and sit next to her, but movie watching can be
such a solo activity.
“Wonderstruck”
is another Brian Selznick (“Hugo”) masterpiece. The movie was about young Ben,
circa 1978 and young Rose circa early 20th century (just before
movies added sound) and how their worlds eventually collide in New York City.
The
official summary says this: “Ben and Rose are children from two different eras
who secretly wish that their lives were different. Ben longs for the father
he's never known, while Rose dreams of a mysterious actress whose life she chronicles
in a scrapbook. When Ben discovers a puzzling clue and Rose reads an enticing
headline, they both set out on epic quests to find what they're
missing.”
I had
read that this movie hired a lot of deaf actors, which was part of the appeal,
and a few of the non-deaf actors also learned some ASL as well, some of which I
could follow. The movie had the same
sense of whimsy and childhood innocence as “The Invention of Hugo Cabret,”
(though, to be honest, I think I much prefer “Hugo Cabret”) and I could
definitely recommend it, though I thought it was frustrating trying to read
lips in all the scenes involving young Rose getting yelled at by thoughtless
hearing adults. I guess I can better sympathize with how truly deaf people must
feel a lot of the time (I am hard of hearing, but not that severely).
* We
chatted afterwards and she said she had once taken an ASL class as well (at OSU
I think) and was now a retired office worker. Although she didn’t much care for
the ending, she said she’s a big fan of Brian Selznick and had the record
containing the kids choir recording of “Ground Control to Major Tom” which was
played while the credits rolled.
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