This
time of year if I can force myself to leave our nice, warm couch and head to
the cinema it’s usually worth the effort (especially as we’re so selective
these days preferring to see the blockbusters with lots of special effects that
are always better on a large screen).
“Star Wars”
The
day after Christmas my husband and a friend of ours all went to see the latest “Star
Wars” flick. Don’t ask me to explain how it fits into the complicated timeline
and who is related to whom, because I didn’t take notes the last time my
husband explained it to someone. If you’re not a “Star Wars” fan and haven’t
seen most of the last few movies, you won’t know the backstory, but you could
conceivably enjoy this film on its own. It has comedy, action and even a brief almost romantic moment. Sadly, it’s the
last time we’ll see Carrie Fisher as this was her final appearance before her
untimely death last year. It will be interesting to see how the writers and
producers work around her in future films since she was such an integral part
of things. I guess that just leaves R2 D2, C3PO and Chewbacca the only
principals from the original films.
“Murder on the Orient Express”
If
you’ve read the book or seen any of the previous incarnations of one of Agatha
Christie’s best known books, you already know this isn’t a simple Whodunit with
one victim and one murderer. Professor Plum didn’t commit murder in the library
with a candlestick. The story is a lot more complex, and very tragic. I am one
of the few who hasn’t actually read the book or seen any of the previous
movies, so it was all new to me.
To
the movie’s credit, it has a star-studded cast with the very likeable Kenneth
Branaugh playing Hercule Poirot with a fairly decent French accent (best as I
can tell anyway). Johnny Depp plays the unfortunate victim, so he only makes a
very brief appearance. Everyone is a suspect, even Dame Judi Dench (and she’s a
national treasure!). I guarantee you would have to be Sherlock Holmes, or in
this case, Hercule Poirot to solve the mystery behind this one.
“Downsizing”
The
film opens in a Norwegian lab where some sort of an experiment is being
conducted on a white mouse/rat. Next scene: lots of rejoicing because
apparently “it” worked. Fast forward several years to a well-filled lecture
hall where a short speech is made and then a box brought in. Inside the box is
a human 1/10th the size of a normal human (but without the stereotypical
high pitched voice) who explains about the technology and the benefits behind becoming
little or “downsizing.” A small black trash bag is produced which allegedly
contains several years’ worth of trash from the first little people settlement.
Yes, little people produce less waste. That goes without saying. However, the
real reason to be small is because their economy is different. Those of us on
this side of reality who barely scrape by living paycheck to paycheck might
find they’re suddenly millionaires there (not everyone though). Plus, how cool
is it seeing a dandelion from underneath? We haven’t had that kind of view
since “Honey I Shrunk the Kids.”
The movie
addresses the bigger issue of global warming and the effect humans have had on
the planet earth, but does it in such a way as to not be overly moralizing or
grim, so I much appreciated that.
I liked "Downsizing" because it was interesting, more than a little entertaining, funny, and also a little sad. It's also inspirational as one of the main characters, a Vietnamese dissident, spends her days cleaning wealthy peoples' houses and evenings helping her poor neighbors in the slum she lives in. I have to admit I was surprised to see a slum, but I guess there will always be rich and poor no matter what size you are.
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